Titre | Next-Gen Lionel Messi |
Agence | Wieden + Kennedy Amsterdam |
Campagne | It Just Got Real |
Annonceur | Electronic Arts Inc. |
Marque | EA SPORTS™ FIFA14 |
Mise en ligne | Novembre 2013 |
Secteur d'activité | Consoles de jeux et jeux |
Synopsis | This 'Messimorphosis' begins in an average looking lounge, but as our gamer picks up his controller an incredible transformation begins. His skin starts to give way to reveal a layer of CGI skin. He looks down and something is happening beneath his shirt; he lifts it up to see a six-pack popping out one muscle at a time. The bone structure of his face starts to change as he becomes more and more like the FIFA 14 avatar – his mouth shrinks and his jaw reforms with a strong dimple appearing on his chin, just like Messi's. The bridge of his nose widens, and his eye sockets re-shape with a dark brown colour running down his blue eyes. We see the lounge's shag pile carpet has given way to grass, as the gamer's cotton t-shirt is replaced by the synthetics of a CGI Barcelona shirt. From within our gamer's bare feet emerge Messi's football boots, stretching around the contours of his body. The transformation is nearly complete. The gamer has become avatar Messi. Apart from one detail - his hair. It's still blond and floppy. He gives his head a little shake and with that it shrinks and darkens to match Leo's. If only all haircuts were that simple. Having transformed into the ultimate gaming experience, the avatar throws his controller to the floor to see it balloon into an Adidas match ball. He takes it in his stride and charges on to the greatest field FIFA's ever seen. It just got real. |
Type de média | Télévision |
Longueur | |
Maison de production | Stink Films |
Montage | Whitehouse Post |
Post production | MPC LDN |
Responsable de la publicité (annonceur) | Todd Sitrin |
Responsable de la publicité (annonceur) | Jamie McKinlay |
Responsable de la publicité (annonceur) | Oliver Hughes |
Responsable de la publicité (annonceur) | Matt Mckie |
Responsable de la publicité (annonceur) | Dana Marineau |
Responsable de la publicité (annonceur) | Mark Evans |
Responsable de la publicité (annonceur) | Justin Shekell |
Directeur de la création | Mark Bernath |
Directeur de la création | Eric Quennoy |
Directeur de création | Mike Farr |
Directeur de création | Pierre Janneau |
Directeur de création | Edu Pou |
Directeur artistique | Ignasi Tudela Calafell |
Concepteur / rédacteur | David Smit |
Responsable de la production | Erik Verheijen |
Responsable de la production | Andrew Allen |
Producteur, maison de production | Jaime Tan |
Producteur, maison de production | Arnaud Ronquillo |
Planneur stratégique | Ben Armistead |
Directeur de clientèle | Kirk Johnsen |
Directeur de clientèle | Nick Campion |
Responsable de budget agence | Kerstin Hagg |
Chef de projet | Janna Harrington Boesjes |
Business Director | Justine Young |
Maison de production | Resn |
Illustration 3D | Resn |
Audio | Resn |
Personnage 3D | Assembly Films |
Réalisateur | Tomek Baginski |
Directeur de la photo | Stoeps Langensteiner |
Producteur, maison de production | Andrew Porteous |
Producteur exécutif | Edward Grann |
Monteur | Adam Marshall |
Monteur | stephen dunne |
Sociéte de création sonore | Raja Sehgal |
Musique | Guy Amitai |
Musique | Messimorphosis |
Maison de production | Pivot Audio |
Effets spéciaux | Franck Lambertz |
CG Supervisor | Carsten Keller |
Télécinéma | MPC Amsterdam |
Coloriste | George K. |
Post production | Gerben Molenaar |
Post production | Jamie Loudon |