Titre | The Long Goodbye |
Agence | New Commercial Arts |
Campagne | The Long Goodbye |
Annonceur | Alzheimer's Society |
Marque | Alzheimer’s Society |
Date de première diffusion/publication | 2024 / 3 |
Secteur d'activité | Associations d'information et de lutte contre la maladie |
Philosophie | The campaign brings to life the reality experienced by so many affected by dementia of losing aspects of their loved ones long before their actual death - a heart-breaking truth unique to the disease. This work is vital to raise awareness of the devastating reality of dementia amongst the general public, where awareness, knowledge and concern about the disease Is low. Only 22% of people know that 1 In 3 people will develop dementia. The film, shot by BAFTA nominated director Charlotte Regan, follows a son giving a eulogy at his Mum’s wake. He tells us of the times she ‘died’ before she physically died - the breadth of symptoms she experienced, the relationships this touched, and the parts of herself dementia cruelly took away. Inspired by real life experiences, it brings to life unrelenting heartbreak caused by dementia for the hundreds of thousands of people affected in the UK. The film ends 'with dementia you don’t just die once, you die again, again and again. Which is why at Alzheimer's Society, we’ll be with you again, again and again', narrated by Colin Firth, highlighting the charity's commitment to be there at every part of the struggle. By supporting people at every step of their journey with dementia through their vital services, relentlessly calling for change amongst decision makers to make dementia the priority it should be, and investing in science to push the pace of breakthroughs to drive research, diagnosis and treatment. Media planning and buying is managed by Medialab, including the media strategy built around making the invisible devastation of dementia, visible. An AV-led plan will maximise unique Reach and Frequency within key audiences across TV, VOD, Cinema, Radio & Digital Channels to maximise emotional impact and repeat exposure to the everyday reality of Dementia. |
Type de média | Cinéma |
Longueur | |
Maison de production | Knucklehead |
Montage | Tenthree |
Responsable de la publicité (annonceur) | Alex Hyde-Smith |
Responsable de la publicité (annonceur) | Tom Brown |
Responsable de la publicité (annonceur) | Nick Wright |
Responsable de la publicité (annonceur) | Victoria Evans |
Responsable de la publicité (annonceur) | Ellie Jerman |
Responsable de la publicité (annonceur) | Laura Parsons |
Founder & CEO | James Murphy |
Founder, Strategy | David Golding |
Founder, Chief Creative Officer | Ian Heartfield |
Equipe créative | Jules Middleton |
Equipe créative | Peigh Asante |
Business Director | Miriam Goode |
Senior Account Manager | Toby Moynan |
Responsable de budget agence | Zahra Banday |
Producteur, agence | Georgia Dickinson |
Réalisateur | Charlotte Regan |
Directeur de la photo | Christopher Sabogal |
Producteur | Francis Mildmay-White |
Monteur | Owen O’Sullivan |
Post production | Selected Works |
Post production | Time Based Arts, London |
Grade Artist | Simone Grattarola |
Post-production Producer | Dan Crozier |
Post-Production audio | King Lear |
Sound Engineer | Jack Sedgewick |
Compositeur de musique | Patrick Jonsson |
Music Supervision | Bruce New |
Music Supervision | Air-Edel |
Agence Média | Medialab London |
Integration Director | Nick Parker |
Client Managing Director | Charles Batchelor |
Head Of Planning | Jess Talbot |
Director of Advanced TV | Jon Manning |
Media Business Director | George Gwilliam |
Media Senior Account Manager | Amy Bevis |
Senior Account Director | Fiona Magill |