Titre | Dress For It |
Agence | Draftfcb Melbourne |
Campagne | Dress For It |
Annonceur | Honda Motor Co., Ltd. |
Marque | Honda |
Mise en ligne | Février 2007 |
Produit | CR-V |
Secteur d'activité | Voitures |
Synopsis | Set in a lively urban street, the TV commercial feels more like a rock clip youd see on Video Hits or Rage rather than an advertisement. Fueled by a pumping electro music track, the spot sees a rugged hero male exit a building in what looks like downtown New York. Wearing a suit we follow him walking down the street, towards a camera tracking backwards, stripping his clothes off to reveal a number of different outfits jeans and a casual top, a tuxedo and finally board shorts and a singlet. As the camera continues to move back, the CR-Vs dynamic new redesign is revealed as the film clip reaches its climax. |
Philosophie | The commercial cleverly exploits the different outfits to highlight the unrivaled versatility at the core of the new CR-V in an emotional, uplifting fashion. |
Problème | To launch the all-new, third generation Honda CR-V to the Australian market and attempt to once again take the leading market position. The strategic and creative challenge was to communicate the unrivaled versatility associated with the CR-V in an emotional way something which hasnt really been done before in this category. |
Type de média | Télévision |
Longueur | |
Directeur artistique | Mick Bakos |
Concepteur / rédacteur | Eric Blakeway |
Producteur, maison de production | Catherine Chapple |
Réalisateur | Patrick Hughes |
Directeur de clientèle | Chris Ivanov |
Directeur de création | Scott Lambert |
Directeur de clientèle | Stephen McLardie |
Concepteur / rédacteur | Romani Mieszkowski |
Directeur artistique | Mikey Tucker |
Producteur, agence | Karina Wright |
Maison de production | @radical.media |
Post production | Animal Logic |
Production du son | Level Two Music |
Production du son | Risk Sound |