Titre | The Big C |
Agence | Technique |
Campagne | The Big C |
Annonceur | World Child Cancer |
Marque | World Child Cancer |
Date de première diffusion/publication | 2016 / 3 |
Secteur d'activité | Associations d'information et de lutte contre la maladie |
Slogan | Let's Help Even the Odds |
Philosophie | The idea behind the film is simple, yet powerful - two children from different backgrounds play with the same wooden block, which starts as a toy in the hands of the Western child. In 30 seconds, the block travels towards a child in Bangladesh, transforming into an enormous crate, growing progressively bigger and bigger as it makes its journey. The goal of this striking metaphor is to bring to life the fact that, in the UK, a child diagnosed with cancer has an 80 per cent chance of survival, whereas in Bangladesh, they have only 10 per cent. |
Type de média | Télévision |
Longueur | |
Maison de production | 2AM |
Sound Company | Grand Central Recording Studios |
Post Production Company | Big Buoy |
Directeur artistique | Mick Brigdale |
Concepteur / rédacteur | Kevin Baldwin |
Directeur de clientèle | James Page |
Réalisateur | Steve Cope |
Producteur exécutif | Rikki Percival |
Producteur | Kirsty Dye |
Producteur | Alice Morris |
Directeur de la production | Gareth Crothers |
Directeur de la photo | Denis Crossan |
Directeur de la photo | Clive Norman |
Sound Designer | Munzie Thind |
Offline Editing Company | Stitch |
Offline Editor | Phil Currie |
Visual Effects Supervisor | Jim Allen |
Post production | Barney Wright |
Grading | Mark Meadows |
CGI | Smoke & Mirrors |