| Titre | Whale |
| Agence | Wieden + Kennedy |
| Campagne | #smellegendary |
| Annonceur | Procter & Gamble |
| Marque | Old Spice |
| Date de première diffusion/publication | 2016 / 1 |
| Secteur d'activité | Déodorants |
| Synopsis | If you’re going to break the world cool limit, you need two things: Old Spice Dirt Destroyer and the kind of disposable income that allows you to befriend a whale and treat him to expensive, nonrefundable luxury items. No regrets! Maybe some regrets. Wow, lots of regrets. Where does regular end…And extreme begin?Mmm.Good question.A wise man once said..."sweat and body odor is your body's way of saying…Hey. Slow down.You need a break."But thanks to new Dirt Destroyer, the most powerful Old Spice body wash ever made…My body will finally shut up and let me live.Is there a limit to how much living I can live with my life?How will I know if I've gone too far?And why did I spend my life saving some sunglasses for a whale?I shall find the answers to these questions. ♫ Old Spice Whistle ♫ |
| Type de média | Film Web |
| Longueur | |
| Sociéte de création sonore | MacKenzie Cutler |
| Directeur de la création | Mark Fitzloff |
| Directeur de la création | Joe Staples |
| Directeur de création | Jason Bagley |
| Directeur de création | Craig Allen |
| Directeur artistique | Matt Sorrell |
| Equipe créative | Jarrod Higgins |
| Producteur | Lindsay Reed |
| Producteur, maison de production | Monica Ranes |
| Chef de groupe | Liam Doherty |
| Responsable de la production | Ben Grylewicz |
| Maison de production | Biscuit Filmworks |
| Maison de production | Revolver |
| Réalisateur | Steve Rogers |
| Producteur exécutif | Holly Vega |
| Directeur Général | Shawn Lacy |
| Producteur, maison de production | Pip Smart |
| Directeur de la photo | Mandy Walker |
| Chef décorateur | Leon Morland |
| Editorial | Mackenzie & Cutler |
| Producteur exécutif | Sasha Hirschfeld |
| Monteur | Gavin Cutler |
| Assistant Monteur | Brendan Hogan |
| Effets spéciaux | The Mill |
| Producteur exécutif | Enca Kaul |
| Effets spéciaux | Tim Davies |
| Producteur, maison de production | Dan Roberts |
| 3D Lead Artist | Tom Graham |
| 3D Lead Artist | Phill Mayer |
| 3D Lead Artist | Hartwell Durfor |
| 3D Lead Artist | Kenzie Chen |
| 3D Lead Artist | Yorie Kumalasari |
| 3D Lead Artist | Brett Angelillis |
| 3D Lead Artist | Mike DiNocco |
| 3D Lead Artist | Katie Yancey |
| 3D Lead Artist | Blake Guest |
| 3D Lead Artist | Jenna Kind |
| 3D Lead Artist | Monique Espinoza |
| 3D Lead Artist | Steven Olson |
| 3D Lead Artist | Milton Ramirez |
| 2D Artist | John Price |
| 2D Artist | Robert Murdock |
| 2D Artist | Don Kim |
| 2D Artist | Dag Ivarsoy |
| 2D Artist | Jeff Langlois |
| 2D Artist | Ashely Forbito |
| 2D Artist | Adam Lambert |
| 2D Artist | Daniel Thuresson |
| 2D Artist | Tim Robbins |
| Art Department | Brett Lopinsky |
| Art Department | Laurence Konishi |
| Art Department | Kelsey Napier |
| 3D Lead Artist | John Leonti |
| Colorisation | The Mill |
| Artiste / Dessinateur | Adam Scott |
| Coloriste | Thatcher Peterson |
| Color Producer | Antonio Hardy |
| Coordinateur colorisation | Diane Valera |
| Sociéte de création sonore | Barking Owl |
| Sound Designer | Sam Shaffer |
| Sound Designer | Michael Anastasi |
| Mix | Lime Studios |
| Sound Engineer | Samuel Casas |
| Sound Engineer | Mark Nieto |
| Producteur exécutif | Susie Boyajan |
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