| Titre | Spaceship at the border |
| Brief | When a slimy alien shows up on their land, three friends can tell it doesn't belong - in Canada. So one of the guys piles the invader into a pickup truck and escorts it over the border, where the creature is immediately involved in a typical Hollywood sci-fi battle before being beamed into a flying saucer. Sometimes, Canadians would just like to watch their own movies. Outstanding effects turn a slimy alien into an almost sympathetic character as our hero is forced to escort him back over the border. Because it's obvious he doesn't belong in Canada - but in Hollywood. In fact he's a symbol of the omnipresence of American cinema in Canada. |
| Agence | Brad |
| Campagne | Spaceship at the border |
| Annonceur | Friends of Canadian Films |
| Marque | Friends of Canadian Films |
| Date de première diffusion/publication | 2017 / 4 |
| Secteur d'activité | Production cinématographique |
| Synopsis | This message illustrates the omnipresence of American cinema in Canada, and suggests that the Canadian public should make room for its own national cinematography. |
| Type de média | Cinéma |
| Longueur | |
| Plus d'info | friendsofcanadianfilms.ca |
| Creative Director and copywriter | Carle Coppens |
| Directeur artistique | Maxime Merchez |
| Equipe créative | Christian Jomphe |
| Equipe créative | Vanessa Beaulieu-Harbec |
| Stratégie/Planning | Dany Renauld |
| Account Service | Élisabeth Charland |
| Account Service | Marianie Tô-Landry |
| Producteur, agence | Linda Leroux |
| Producteur | Véronique Poulin |
| Director | Emanuel Hoss-Desmarais |
| Cinématographie | Marc Simpson |
| Maison de production | Gorditos |
| Post-production company | Shed |
| Son | Apollo Studios |