VP of Special Projects and Creative Content
at
Saigon Filmes
| Titre | The Refugee Tree (206s) |
| Brief | To inform the devastation and uncontrolled exploitation of forests in Brazil, with an increase in deforestation and fires that destroy entire biomes, the film narrates the journey of a refugee tree, the Jatobá, one of the many species in risk of extinction in the region, who decided to seek refuge in the embassies of foreign countries because they were in danger in their territory of origin.The highlight of the film is the dramatic soundtrack that illustrates the urgency of the subject. The indigenous song that permeates the film is a marriage rite, an interesting counterpoint since it's as joyful as it its sung with sadness. Likewise, the melodic element that is fused with the string quartet is a saw, played with a bow, not a violin. The semiotics behind doing it with elements that symbolizes deforestation helps the struggle. |
| Agence | Africa |
| Campagne | Refugee Tree |
| Annonceur | Climate Reality Brasil |
| Marque | Institutional |
| Mise en ligne | Décembre 2020 |
| Secteur d'activité | Institutions / Interêt Public / Associations à but non lucratif |
| Synopsis | To inform the devastation and uncontrolled exploitation of forests in Brazil, with an increase in deforestation and fires that destroy entire biomes, the film narrates the journey of a refugee tree, the Jatobá, one of the many species in risk of extinction in the region, who decided to seek refuge in the embassies of foreign countries because they were in danger in their territory of origin.The highlight of the film is the dramatic soundtrack that illustrates the urgency of the subject. The indigenous song that permeates the film is a marriage rite, an interesting counterpoint since it's as joyful as it its sung with sadness. Likewise, the melodic element that is fused with the string quartet is a saw, played with a bow, not a violin. The semiotics behind doing it with elements that symbolizes deforestation helps the struggle. |
| Type de média | Etude de cas |
| Responsable de la création | Sergio Gordilho |
| Directeur de la création | Felipe Cury |
| Directeur de la création | Philippe Degen |
| Directeur de création | Greg Kickow |
| Directeur de création | Felipe Cirino |
| Directeur artistique | Caio Gandolfi |
| Directeur artistique | Thiago Andrade |
| Concepteur / rédacteur | Diego Ferrite |
| Concepteur / rédacteur | Giulio Beloto |
| Designer | Greg Kickow |
| Designer | Marina Cota |
| Designer | Thiago Andrade |
| Directeur de création | Monique Lopes Lima |
| Directeur de création | Juliana Leite |
| Chef de projet | Lica de Souza |
| Chef de projet | Fernanda Segura |
| Chef de projet | Fernando Alonso |
| Chef de projet | Isabela Levy |
| RP | Fabiana Antacli |
| RP | Carina Miranda |
| Chief Technology Officer | Fabio Palma Digital |
| Responsable de la production | Fernando Tolusso Adtech |
| Chef de projet | Leonardo Gomes |
| Producteur, agence | Rodrigo Ferrari |
| Producteur, agence | Tais Olhiara |
| Producteur, agence | Fernanda Segura |
| Maison de production | Hungry Man |
| Réalisateur | JC Feyer |
| Directeur associé | Alex Mehedff |
| Producteur exécutif | Renata Corrêa |
| Producteur exécutif | Rodrigo Castello |
| Business Affairs | Iris Gil |
| Production Director | Gustavo Morozini |
| Directeur de la photo | Gabriel Bianchini |
| Responsable de la production | Luciana Martins |
| Coordinateur de production | Derbiz Lemes |
| Effets spéciaux | Miagui |
| Effets spéciaux | Warriors VFX |
| Post production | Hungry Man |
| Monteur | Vitor Amorim |
| Monteur | JC Feyer |
| Coloriste | Marla Colour Grading |
| Responsable client | Cristiana Frank |
| Responsable client | Daniela Sostisso |
| Responsable de budget agence | Diego Batista |
| Responsable de budget agence | Jessica Rodrigues |
| Production du son | DaHouse Audio |